This presentation is organized in conjunction with the Luminato Festival 2014. The exhibition will feature DRAWING RESTRAINT 2 (1988), DRAWING RESTRAINT 6 (1989/2004) and DRAWING RESTRAINT 17 (2010). Usually, in this series, Barney subjects his own body to physical tests here for the first time, the protagonist is an athletic young Swiss woman, while Barney now plays the removed role of the established artist. DRAWING RESTRAINT 17 (2010) filmed in Switzerland, is a two-channel video bearing Barney's signature high production value and allegorical storytelling. From the 1990s onwards, the artist began to introduce the spectacular cinematic narratives for which he is best known. The earliest in the series, DRAWING RESTRAINT 1-6 (1987-1989), show simple studio experiments, where Barney attempts to mark the ceiling and the walls while bouncing on a tilted trampoline or tethered at the thighs with bungee cords. They demonstrate the underpinnings of Barney's work, in which the body plays a central role, and ritualistic processes of creation are explored through manifold materials, settings, and personas. After his parents divorced, Barney continued to live with his father in Idaho, playing football on his high school team, and visiting his mother in New York City, where he was introduced to art and museums. Considered together, DRAWING RESTRAINT forms an ongoing proposition for the harnessing of one's impulses and drives into a desired output, artistic or otherwise. Matthew Barney was born in San Francisco in 1967 at age six, he moved to Idaho with his family. DRAWING RESTRAINT comprises drawings, sculpture, photographs and video works emerging from his self-imposed and increasingly complex obstacles and scenarios. Former NHL wing Matthew Barnaby was arrested on assault and public intoxication charges at a bar in downtown Nashville, Tenn., early Thursday, police said. Begun while still a student at Yale, Barney was influenced by his background as an athlete and sought to foreground the physical body and its tensions in a studio practice. Matthew Barney and Bjork, a fiercely private couple, speak, ambiguously, about 'Drawing Restraint 9,' the first creative project they have worked on together. Elaborate and inscrutable, projects such as the CREMASTER Cycle (1994-2002) - a series of five feature-length films - weave mythological storylines, art-historical references, and abject symbolism through questions of artistic production.ĭRAWING RESTRAINT (1987-present) is a significant and long-term project for Barney, in which he proposes art-making as parallel to athletic training: the development of form occurs through resistance. Then there’s a glorious, sunlight-illuminated reproduction of the attic where Norman Mailer worked, flipped upside down to resemble a boat.American artist Matthew Barney is renowned internationally for his provocative and richly visual sequences of sculpture, video, and performance. Likewise, River of Fundament fills the Geffen with over 80 artifacts related to the film: drawings, display cases with props and photographs, massive water-cast bronze sculptures that weigh nearly 25 tons. On the streets stroll workers whose sturdy coats solicit calls to 888. A couple blocks down is a garage for cast-off food carts in states of obliteration and disarray. The epic scale recalls The Cremaster Cycle, Barney’s famously beautiful and hypnotizing series of five films and mixed-media work that unfolded over eight years, named after “the muscle that raises and lowers the male reproductive system,” per the Guggenheim’s near-medical summary. Matthew Barney’s studio, the birthing place of some of the biggest and most ambitious art of our time, sits in an industrial New York netherzone by the East River in Queens. River of Fundament, which was in the making for over seven years, is Barney’s first major solo museum exhibit in Los Angeles. It explores the decidedly optimistic motifs: rebirth and regeneration. There’s talk of a pharaoh who has a toilet that connects to a shadoof, which he uses to fertilize crops in his land so that his subjects might have the pleasure of consuming him. The American auto industry makes an appearance. There’s a lot of singing ( River of Fundament was conceived by Matthew Barney and composer Jonathan Bepler as a kind of opera). There are many wet, gurgling noises in the soundtrack. But I will say, uncertainly, much of what I saw had to do with the human body’s waste system. For that reason, it feels disingenuous to try and describe the whole plot, if you’re supposed to call it that, with any degree of certainty. Over the last ten years, Matthew Barney has produced the five-part Cremaster cycle, culminating in Cremaster 3 (2002), a three-hour film shot partly in-and. I sat through two hours of Matthew Barney’s River of Fundament, a six-hour film and namesake of the exhibit currently on view at the Geffen Contemporary at MoCA in Los Angeles, California.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |